Beach photography
To Flash or not to Flash
Fill Flash
The biggest misconception in outdoor photography is the use a flash. Most people know that if they are indoors, they use a flash. Most point and shoot camera flashes default to auto flash, meaning, if the camera detects there is not enough light for a good picture, the auto flash will kick-in, in low light. What most people don’t know is when you are outside and your camera is set to auto flash, it will automatically shut down your flash. This is perhaps when you need your flash the most. For example, you are out of the beach and it is 5pm, shadows are heavy and your subjects faces are shaded. This is where your fill flash can help. Go to your settings, override the auto flash(make sure that the flash icon does not have a line through the lightning bolt or flash symbol) and force your camera to flash. This will fill in the shadows (often cast by hats, glasses, noses etc) and light up the faces of your subjects. On the other hand, if your subjects look overexposed and washed out, you can’t decrease the flash strength try moving back a little from your subject and using your zoom to get a tighter framing as this will decrease the impact of the flash. Also remember, with most cameras, about 6 or 7 feet is a normal flash range. Experimenting is the key. Sample images above show the difference between an image outdoors with the flash on and the flash off.
What To Wear To A Photo Shoot
Tips On Clothing Style And Accessories
- Very simple garments always photograph best.
- Turtle necks or V-necks are flattering provided that neither is exaggerated in style. Avoid very wide or particularly deep V-neck garments as well as bulky cowl neck sweaters that completely hide the neck.
- Long sleeves are essential for teens and adults, as bare arms call attention to themselves and will overpower the face.
- Women being photographed in full length should wear long skirts, pants, in order to keep the eye from being directed toward the legs and away from the face.
- Men should have their hair cut about one week before the portrait session. Women should be photographed whenever they are happiest with their hair in relation to the time it is styled.
- Light colors are always best, especially on the beach. Try to be coordinated without looking too uniform. What I mean is instead of everyone wearing white shirts and khaki shorts, women wear white dresses, men where khaki long slacks and white button down and kids wear khaki shorts and polo (for boys) and white sun dress (girls). This makes for a much more natural photo.
Tips On Photographing A Wedding
In today’s economy, more and more family members are being asked to bring along their camera’s to document the event. Being a professional photography studio, I do not suggest this but understand the need when budgets are being squeezed. I am going to outline some basic tips that can be helpful when photographing a wedding.
1. Go to the wedding site ahead of time at the same time of day as the wedding is to proceed so you can check for any lighting problems or ideas!
2. Have the bride complete a “group shot list” prior to the wedding. On the wedding day, you can use this as a check list to make the group photos orderly, and to make sure you don’t miss an important photo.
3. Spend sometime before the wedding to advise the wedding couple to pause and look at the camera for all the significant moments in the wedding, such as the first dance, cake cutting, and etc. remind the couple again on the wedding day.
4. Incorporate personal items, things that mean something special to the bride or the groom, into your photo sessions!
5. When photographing a large group of people, have everyone close their eyes, count to three, then tell everyone to open their eyes! This way you are more likely to get everyone with their eyes open and if there are any children in the shot, they will be laughing by this point…which should all make for a great group shot!!
6. Try not to shoot everything at the front of the altar. Try windows, middle of the church between the aisles, or even the back of church. Mix it up a little for different perspectives.
7. Walk around the church or reception site and look for any architectural details, such as arched windows, stone steps or balconies that would add a special element to your photographs.
8. Encourage your bride to tear pictures out of bridal magazines to show you what she likes. This will tell you what shots are important to the bride.
9. When shooting weddings, be patient, and something beautiful will happen.
10. Don’t be afraid to shoot into the light. Spectacular halos and brilliant saturation are waiting for you if you just turn around.
11. When shooting in various environments, try to find background colors that match the eyes of the subject to enhance the focal point of a photo.
12. 99.9% of wedding photography is anticipation. Keep your camera up, and your eyes sharp and the magic shots will come.
13. The lower a bride holds her flowers the thinner she will look.
14. Pay close attention to the facial expressions of the subjects. Do not seek only the smiles, but also the frowns and genuine emotions of the moment.
15. Almost any photograph can be improved by getting closer to the subject (or zooming in) to eliminate needless background details.
I hope that you find these tips helpful. I do want to mention one last time that having a non-professional photographer is a very risky proposition. If you want to guarantee that your memories with be captured properly, always try and hire a professional photographer. It is worth the investment and there are many studios that have very affordable wedding packages.
Tips For Better Quality Photographs
* Take high-resolution photos. Getting more images on your memory card in the past was an issue because they were expensive. Today, you can get very large memory cards at a fraction of the cost. If you are only interested in putting your photo’s on the Web or e-mailing to family and friends, by all means, set you camera to a lower resolution. If you plan to print your photo’s, set your camera to the highest resolution to ensure you capture enough detail to provide good print quality.
* Edit your photos before printing. The digital imaging age is wonderful, giving you the opportunity to take as many photos as you want and not worry about quality or wasting film. When you print your photos, though, quality matters. If the color levels in your photo are off, touch them up in editing. If your photo is off-center, crop it. More advanced photo-editing software gives you the opportunity to apply filters and special effects to your photos for a truly unique memory. Take advantage of the ability to edit digital photos to create the best possible photo to print.
* Make a test print. You can do this with your printer set on a lower quality print function to save on ink. Make a test print on regular paper. Decide whether you need to make any adjustments. After you have a proof done, then set your printer to the highest quality for your final print.
* Consider your ink. Some photo-quality printers use inexpensive ink for everyday printing and special photo ink for photo-quality reproduction. If you’ve got a photo printer that uses special photo ink, invest in the high-quality ink for your photo prints.
* Use good paper. When possible, use the manufacturer’s paper. Manufacturers know what paper works best with their printers and can offer specific paper stocks for the best-quality prints your printer can produce. If you want to use a third-party brand of photo paper, buy a small pack first and test it with your printer to ensure good-quality prints.
Posing-Large Groups
Some Posing Challenges:
* one or more subjects always seem to be looking away or in different directions
* subjects blinking
* someone being missing from the photo
* different moods in the group (some smiling, some serious, some playing up to the camera etc)
* the group being too far away or not all fitting into the shot
Some Tip You Can Try:
1. Prepare
* scope out the location of your shot before hand
* think ahead about how you will pose people and frame your shot
* one of the group’s head hiding behind another person
* make your your camera is on and has charged batteries
2. Location
Give the photo context – A football team photo will be more pleasing on a football field rather than in someones front yard.
Choose a position where your group will fit, where there is enough light for the shot and where there is no distractions in the background. Also avoid setting up a group shot directly in front of a window where the light from your flash might reflect back in a way that destroys your shot.
3. Take Multiple Shots
One of the best ways to avoid the problems of not everyone looking just right in a shot is to take multiple photos quickly. Try shooting some frames off before everyone is ready
Also mix up the framing of your shots a little if you have a zoom lens by taking some shots that are at a wide focal length and some that are more tightly framed.
4. Get in Close
Try to get as close as you can to the group you’re photographing The closer you can get the more detail you’ll have in their faces – something that really improves a shot.
If your group is a smaller one get right in close to them and take some head and shoulder shots. One effective technique for this is to get your small group to all lean their heads in close to enable you to get in even closer. Another way to get in closer is to move people out of a one line formation and stagger them but putting some people in front and behind.
5. Pose the group
In most cases your group will pose itself pretty naturally. Tall people will go to the back, short people to the front. But there are other things you can do to add to the photo’s composition:
* If the event is centered around one or two people (like a wedding or a birthday) make them the central focal point by putting them right in the middle of the group (you can add variation to your shots by taking some of everyone looking at the camera and then everyone looking at the person/couple).
* For formal group photos put taller members in the group not only towards the back of the group but centered with shorter people on the edges of the group.
* Try not to make the group too ‘deep’ (ie keep the distance between the front line of people and the back line as small as you can). This will help to keep everyone in focus. If the group is ‘deep’ use a narrower aperture.
* Tell everyone to raise their chins a little – This will help to minimize double chins.
6. Timing Your Shoot
Pick the moment for your shot carefully. Try to choose a time that works with what is happening at the gathering.
Also towards the start of events can be a good time as everyone is all together,
7. Think about Light
In order to get enough detail in your subjects you need to have sufficient light. The way you get this varies from situation to situation but consider using a flash if the group is small enough and you are close enough for it to take effect – especially if the main source of light is coming from behind the group.
If it’s a bright sunny day and the sun is low in the sky try not to position it directly behind you or you’ll end up with a collection of squinting faces in your shot.
8. Take Control
Communicate with the group of subjects. It is important to keep talking to the group, let them know what you want them to do, motivate them to smile, tell them that they look great and communicate how much longer you’ll need them.
Also important is to give your subjects a reason to pose for the photograph. For example at a sporting event “lets take a group photo to celebrate our win”. When you give people a reason to pose for you you’ll find they are much more willing to take a few minutes to pose for you.
Another very useful line to use with group is – ‘If you can see the camera it can see you’. This one is key if you want to be able to see each person’s face in the shot.
If there are more photographers than just you then wait until others have finished their shots and then get the attention of the full group otherwise you’ll have everyone looking in different directions.
9. For large groups
Large groups of people can be very difficult to photograph.
One solution to this is to find a way to elevate yourself as the photographer. Try bringing a ladder or standing on something to take a shot looking down on the group. In doing this you can fit a lot more people in and still remain quite close to the group (you end up with a shot of lots of faces in focus and less bodies). It also gives an interesting perspective to your shots – especially if you have a nice wide focal length.
10. Use a Tripod
It gives you as the photographer more freedom to be involved in the creation of the posing of your subjects. Set your camera up on your tripod so that’s ready to take the shot in terms of framing, settings and focus and then it will be ready at an instant when you get the group looking just right to capture the moment.
11. Use an Assistant
If you have a very large group and assistant can be very handy to get the group organized well.
An assistant is also incredibly handy if you are taking multiple group shots (like at a wedding when you’re photographing different configurations of a family). In these cases I often ask the couple to provide me with a family or friend member who has a running sheet of the different groups of people to be photographed. I then get this person to ensure we have everyone we need in each shot. Having a family member do this helps to make sure you don’t miss anyone out but also is good because the group is familiar with them and will generally respond well when they order them around.
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